catalog-land01001 China WholeSale Oil Painting and Picture Frame

Painting:: landscape -- Style:: venice

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La Riva
35.6 ?? 50.9 cm (14.02 ?? 20.04 in)
Painting ID:: 68149
23 ago.

Painting:
La Riva
Information:
35.6 ?? 50.9 cm (14.02 ?? 20.04 in)

From the Gondola
25.4 ?? 35.5 cm (10.00 ?? 13.98 in)
Painting ID:: 68133
23 ago.

Painting:
From the Gondola
Information:
25.4 ?? 35.5 cm (10.00 ?? 13.98 in)

Amsterdam
the Nieuwezijds near the Bloemmarkt 1670-75 Oil on canvas, 45 x 61 cm Historisch Museum, Amsterdam The first paintings of canals as independent subjects were made in Holland, after 1660, in the cities of Amsterdam and Haarlem, and Gerrit Berckheyde's painting is an impressive example of this development. Looking from the Weessluis towards the north, this view shows the Nieuwezijds, bordered by the Bloemmarkt on the left and the Pijpenmarkt on the right. Both quays are lined with trees; a rowboat is being unloaded and draught horses are dragging their load over the cobble-stones. The Town Hall towers above the row of houses. The clarity of Berckheyde's composition owes much to his deft use of chiaroscuro. The shaded fa?ades of the Pijpenmarkt form a dark screen behind which the Town Hall rises, bathed in light. The dark reflections of the houses in the canal suggest depth and extend the distance between the illuminated quays on the left and right. The shadow on the Town Hall's western side serves to increase its volume, while at the same time forming an obstacle between the most important illuminated areas, namely the Bloemmarkt and the southern flank of the Town Hall. The painting is a stunning demonstration of Berckhyde^s ability to elevate topography to a higher order, without compromising accuracy. The gigantic new Town Hall of Amsterdam roused the popular imagination to such an extent that it was soon dubbed 'the eighth wonder of the world'. Following the completion of the lantern in 1665, the market was flooded with paintings depicting the colossal building. There seems to have been no lack of demand for them; Amsterdam boasted a great many rich, potential buyers. One might even say that the construction of the new Town Hall stimulated the development of the painted cityscape as an independent genre. Berckheyde made a number of paintings of the Town Hall, including several from the Dam Square, as well as five variations showing it from the Nieuwezijds. Artist: BERCKHEYDE, Gerrit Adriaensz. Painting Title: Amsterdam, the Nieuwezijds near the Bloemmarkt , 1651-1700 Painting Style: Dutch , , landscape
Painting ID:: 63076
288 ago.

Painting:
Amsterdam
Information:
the Nieuwezijds near the Bloemmarkt 1670-75 Oil on canvas, 45 x 61 cm Historisch Museum, Amsterdam The first paintings of canals as independent subjects were made in Holland, after 1660, in the cities of Amsterdam and Haarlem, and Gerrit Berckheyde's painting is an impressive example of this development. Looking from the Weessluis towards the north, this view shows the Nieuwezijds, bordered by the Bloemmarkt on the left and the Pijpenmarkt on the right. Both quays are lined with trees; a rowboat is being unloaded and draught horses are dragging their load over the cobble-stones. The Town Hall towers above the row of houses. The clarity of Berckheyde's composition owes much to his deft use of chiaroscuro. The shaded fa?ades of the Pijpenmarkt form a dark screen behind which the Town Hall rises, bathed in light. The dark reflections of the houses in the canal suggest depth and extend the distance between the illuminated quays on the left and right. The shadow on the Town Hall's western side serves to increase its volume, while at the same time forming an obstacle between the most important illuminated areas, namely the Bloemmarkt and the southern flank of the Town Hall. The painting is a stunning demonstration of Berckhyde^s ability to elevate topography to a higher order, without compromising accuracy. The gigantic new Town Hall of Amsterdam roused the popular imagination to such an extent that it was soon dubbed 'the eighth wonder of the world'. Following the completion of the lantern in 1665, the market was flooded with paintings depicting the colossal building. There seems to have been no lack of demand for them; Amsterdam boasted a great many rich, potential buyers. One might even say that the construction of the new Town Hall stimulated the development of the painted cityscape as an independent genre. Berckheyde made a number of paintings of the Town Hall, including several from the Dam Square, as well as five variations showing it from the Nieuwezijds. Artist: BERCKHEYDE, Gerrit Adriaensz. Painting Title: Amsterdam, the Nieuwezijds near the Bloemmarkt , 1651-1700 Painting Style: Dutch , , landscape

Grand Canal
Looking Northeast from Palazo Balbi toward the Rialto Bridge 1723-24 Oil on canvas, 144 x 207 cm Museo del Settecento Veneziano, Ca' Rezzonico, Venice The painting is part of a series of four vedute (now two are in the Thyssen collection and two in the Museo del Settecento in Venice). The four paintings reveals the influence of Marco Ricci. Artist: CANALETTO Painting Title: Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge , 1701-1750 Painting Style: Italian , , landscape
Painting ID:: 63075
288 ago.

Painting:
Grand Canal
Information:
Looking Northeast from Palazo Balbi toward the Rialto Bridge 1723-24 Oil on canvas, 144 x 207 cm Museo del Settecento Veneziano, Ca' Rezzonico, Venice The painting is part of a series of four vedute (now two are in the Thyssen collection and two in the Museo del Settecento in Venice). The four paintings reveals the influence of Marco Ricci. Artist: CANALETTO Painting Title: Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge , 1701-1750 Painting Style: Italian , , landscape

en kinesisk oljemalning som illustrerar kontakten med europa
mk274 i kantons lag de europeiska kontoren och upplagen tatt den svenska flaggan visar svenskarena hade sitt kontor.
Painting ID:: 61295
477 ago.

Painting:
en kinesisk oljemalning som illustrerar kontakten med europa
Information:
mk274 i kantons lag de europeiska kontoren och upplagen tatt den svenska flaggan visar svenskarena hade sitt kontor.

Piazza San Marco in Venice
mk270 the piazza san marco in venice, painted in 1723 during vivaldi s lifetime by the italian artist canaletto.
Painting ID:: 60225
521 ago.

Painting:
Piazza San Marco in Venice
Information:
mk270 the piazza san marco in venice, painted in 1723 during vivaldi s lifetime by the italian artist canaletto.

from St. Joe Qiaojiouma overlooking St. Mark's Inner Harbor
mk250 Year in 1740. Oil painting on cloth. London, Wallace Collection.
Painting ID:: 56903
621 ago.

Painting:
from St. Joe Qiaojiouma overlooking St. Mark's Inner Harbor
Information:
mk250 Year in 1740. Oil painting on cloth. London, Wallace Collection.

From the sand dunes overlooking Harlem
mk250 Year in 1670, oil on cloth, about 56 x 64 cm.
Painting ID:: 56877
622 ago.

Painting:
From the sand dunes overlooking Harlem
Information:
mk250 Year in 1670, oil on cloth, about 56 x 64 cm.

landscape with the fall of lcarus
c.1558,oil on wood,29x44 in,74x112 cm,musees royaux des beaux-arts,brussels,belgium
Painting ID:: 56689
626 ago.

Painting:
landscape with the fall of lcarus
Information:
c.1558,oil on wood,29x44 in,74x112 cm,musees royaux des beaux-arts,brussels,belgium

den belige nikolaus baris liv
mk248 den belige nikolaus var bikop av myra ocb avibldas nar ban raddar staden fran bungers nod genom att mirakulost torka ocb mang dubbla de vetesackar som fallit i bavet.
Painting ID:: 56622
631 ago.

Painting:
den belige nikolaus baris liv
Information:
mk248 den belige nikolaus var bikop av myra ocb avibldas nar ban raddar staden fran bungers nod genom att mirakulost torka ocb mang dubbla de vetesackar som fallit i bavet.

basino san marco venedig
mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.
Painting ID:: 56512
638 ago.

Painting:
basino san marco venedig
Information:
mk248 den vy som manga resenerer pe sin grnd fardades for att se ocb pa duk. det var inte ovanligt att entusiastiska kopare tog bem sina canalettos innan fargen ens bunnit torka.

venice acrooss the basin of san marco
mk247 c.1760,oil on canvas,21.5x34 in,54.5x86.5 cm,private collection
Painting ID:: 56124
653 ago.

Painting:
venice acrooss the basin of san marco
Information:
mk247 c.1760,oil on canvas,21.5x34 in,54.5x86.5 cm,private collection

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Painting:: landscape -- Style:: venice

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