catalog-stil04001 China WholeSale Oil Painting and Picture Frame

Painting:: still life -- Style:: decoration

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Die Galerie des Erzherzogs Leopold Wilhelm in Brussel
ca. 1651 Oil on copper 106 ?? 129 cm (41.73 ?? 50.79 in)
Painting ID:: 67677
38 ago.

Painting:
Die Galerie des Erzherzogs Leopold Wilhelm in Brussel
Information:
ca. 1651 Oil on copper 106 ?? 129 cm (41.73 ?? 50.79 in)

stilleben
olja på duk . troligen 1873
Painting ID:: 66270
103 ago.

Painting:
stilleben
Information:
olja på duk . troligen 1873

akvarell
vasen som tjanade som forlaga se
Painting ID:: 66266
103 ago.

Painting:
akvarell
Information:
vasen som tjanade som forlaga se

Cognoscenti in a Room hung with Pictures
Oil on wood 95.9 x 123.5 cm c. 1620
Painting ID:: 66241
105 ago.

Painting:
Cognoscenti in a Room hung with Pictures
Information:
Oil on wood 95.9 x 123.5 cm c. 1620

tillskriven
stilleben med kranium ca 1635-1640 muzeum narodowe w gdansku, gdansk se
Painting ID:: 64756
185 ago.

Painting:
tillskriven
Information:
stilleben med kranium ca 1635-1640 muzeum narodowe w gdansku, gdansk se

den brodumske spisesal i skagens museum

Painting ID:: 64579
192 ago.

Painting:
den brodumske spisesal i skagens museum
Information:

Still-Life with Books
1628 Oil on wood, 61,3 x 97,4 c, Alte Pinakothek, Munich In the university city of Leiden a special variety of the still-life occurs: the still-lifes with books representing the infinite quantity of knowledge included in the books. The piles of old, well-used books signal the vanity of the scholarly life. Artist:UNKNOWN MASTER, Dutch Title: Still-Life with Books, 1601-1650, Dutch , painting , still-life
Painting ID:: 64561
194 ago.

Painting:
Still-Life with Books
Information:
1628 Oil on wood, 61,3 x 97,4 c, Alte Pinakothek, Munich In the university city of Leiden a special variety of the still-life occurs: the still-lifes with books representing the infinite quantity of knowledge included in the books. The piles of old, well-used books signal the vanity of the scholarly life. Artist:UNKNOWN MASTER, Dutch Title: Still-Life with Books, 1601-1650, Dutch , painting , still-life

den brondumske spisesal
se
Painting ID:: 64551
195 ago.

Painting:
den brondumske spisesal
Information:
se

fra den brondumske spisesal
se
Painting ID:: 64550
195 ago.

Painting:
fra den brondumske spisesal
Information:
se

Interior of the San Giovanni in Laterano in Rome
Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior
Painting ID:: 63837
228 ago.

Painting:
Interior of the San Giovanni in Laterano in Rome
Information:
Oil on canvas, 74 x 100 cm Pushkin Museum, MoscowArtist:PANNINI, Giovanni Paolo Title: Interior of the San Giovanni in Laterano in Rome Painted in 1701-1750 , Italian - - painting : interior

Annunciation
1482 Fresco Loggia del Comune, Collegiata, San Gimignano The detail shows the lectern, reminiscent of Flemish still-lifes. Artist: MAINARDI, Bastiano Painting Title: Annunciation (detail) , 1451-1500 Painting Style: Italian , , still-life
Painting ID:: 63008
294 ago.

Painting:
Annunciation
Information:
1482 Fresco Loggia del Comune, Collegiata, San Gimignano The detail shows the lectern, reminiscent of Flemish still-lifes. Artist: MAINARDI, Bastiano Painting Title: Annunciation (detail) , 1451-1500 Painting Style: Italian , , still-life

Tabernacle
1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious
Painting ID:: 62429
373 ago.

Painting:
Tabernacle
Information:
1283 Marble Santa Cecilia in Trastevere, Rome The tabernacle on the altar of Santa Cecilia in Trastevere seems to be complete in its state of conservation. According to a recently discovered inscription, it was made by Arnolfo di Cambio in 1293. It forms part of the final moment of an ample and consistent effort at restoration of the entire decorative system of the church of Santa Cecilia, which included the well-known Cavallini frescoes, the liturgical furnishings, and sculptural ornament. The obvious Gothic 'Rayonnant' character of this revision has recently been attributed to the patronage of a French cardinal, while the direction of the whole project has been attributed to Arnolfo, who, working in the last decades of the thirteenth century in the service of the major families, the new preaching orders, and the popes, without a shadow of doubt dominated the panorama of the most innovative Roman trends in the artistic field. The tabernacle repeats the structural complex and decorative scheme of the San Paolo fuori le Mura tabernacle but simplifies and strengthens the Gothic forms, creating a new proportional balance between the parts and revoking the concept of the whole in light of a more mature assimilation of the classical references. With respect to his first interpretation in Rayonnant taste, here Arnolfo reduced and redirected the ascending elements of the base of the cupola and the pendentives of the crown, and in addition attenuated the vertical soaring of the four gables and the trefoil arcades of the baldacchino, but created a notable development in the height of the supporting columns, to which he also added the original solution of cube-shaped dosserets, decorated with Cosmatesque mosaic. Author: ARNOLFO DI CAMBIO Title: Tabernacle , 1251-1300 , Italian Form: sculpture , religious

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Painting:: still life -- Style:: decoration

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